1.
Listen, please lay in my bed
Don’t move your head one bit,
I was drawing you with colours
(crayons hidden from my cousin)
I picked pink but it wasn’t the colour
of your whisper or the inside of your ear
I gave up.
I decided to smell you,
One whiff of your armpit and it
was lions and cheetahs stretching in the Serengeti? Or rescued in Bannerghatta?
One is television memory and the other olfactory.
Inhale.
Inhale.
Inhale.
But all I remember is that my orgasms Thomson’s gazelled
away from me the minute I heard ‘Last call for passengers of flight…’
Exhale.
Exhale.
Exhale.
2.
I don’t believe in altruism,
so we won’t share beds just
exchange fluids and you will
have to leave.
It is hard enough for me when
i have to share roads with strangers,
or eat at restaurants and not carry my own plates,
sit in autos and have people look at me.
And so I will not have You judge me
by light, even if it is yellow light.
I will never fuck by tubelight or CFL bulbs.
Yes, I don’t believe in environmentalism as well.
But it is sweet, they way you’ve
decided to sleep in my doorway.
And now, you can’t sleep in my bed because
I am cleanian and the vacuum cleaner is my God.
3.
I don’t hate kids, really I don’t.
I just want them to breathe free,
not polluted air from gas companies
like the Bhopal children even now.
.
I just want them to draw,
Not like the Darfur babies drawing
to prosecute the Janjaweed.
I want them to eat,
Not like the Ethiopian child starving
and pregnant on televisions.
But to be honest,
I’ll whisper this to you.
“I actually don’t like them,
they prevent me from smoking in public.”
4.
I don’t know why I spend
long waking hours to write
words that I hope will change lives.
for who remembers any of my lines
but me.
The metaphors that made me cum
even when I was alone and my fuck buddies
were across state lines or countries.
The similes that made me feel like a preening pussy
among fraidy crows.
But, I am responsible.
Responsible to the men and women
who loved me even when the words
I wrote were hollow,
who followed me even when my feet were
leading into the quicksand of selfishness,
but I really write because sometimes
smoking post-coital cigarettes and whispering words
mean nothing if they are forgotten.
So, I write because if I don’t I won’t have ammo when we fight.
5. Pride
I am ashamed,
that the greatest romance of our times
is Rachel and Ross.
I am ashamed,
I will skip between reports of Kasav
and Central Station Terminal to watch the
last episode of Season Ten and scream with
20 million others ‘Don’t go, Rachel.’
I am ashamed,
that I will associate more with Joey
taking care of birds rather than my gnawing cousins
and breaking heart with Fus-ball table.
I am ashamed,
where I explain everything away under categories,
‘That is so Monica!’
I am ashamed,
the annoying laugh of my best friend
prompts me into fits of madness because
he is reminds me of Janice.
I am ashamed,
that instead of reciting Auden, Neruda
and TS Eliot backwards and forwards
I will sing Phoebe’s songs over and over again.
But in this shame, I am proud, secretly proud
like the time I rooted for Ross even when Rachel had
left for the prom with Chip.
P.S. Ross won.
6.
Listen, I have given up on you,
like when I was a child and I saw 108 buffaloes
being sacrificed at Taleju’s festival, I gave up on meat.
But it is so hard,
I used to bite during sex just a little harder
to break skin and taste blood.
I learnt to train myself to know menstrual women
so I could linger and smell blood.
But I still hear well-done beef steaks calling
my name and whispering that I need blood.
But I am going to stay strong, I am going to resist
your call, our story has come to one of those endings
that is not forgettable but will remain in the vaults
of time.
I am resisting you because my two front teeth are
white cement and they will break if I bite anything
and therefore neither you flesh nor meat or vice
versa.
Perhaps, it is time for a peas and corns and carrots
which are all glorious for the eyes and skin.
So perhaps I will be able to see the qualities of
the next man better.
But yesterday, I smelt her passing by, she was
on her third day, and I thought of a steak.
Now, I know I am over you.
This is really hard to crit. You have this conversational, rough style that I just get into and I forget to look for inconsistencies. I’m wavering between saying, “Make your lines tighter, pay attention to craft” and saying “Let it be”. I don’t know. Maybe an in-between will work. So I’m reading this again, trying to be critical.
Section 1: I don’t like the parenthetical statement. The inhale-exhale bit is stale. People have done it too often for to be effective. Also, I tried inhaling three times and I started hiccuping. Loved this: “One is television memory and the other olfactory.”
Section 2: This is probably my favourite section. Two things worry me: a) Some of the line breaks just don’t make sense. There aren’t any rules about this, but ending on strong words (especially nouns and verbs) is a good idea, unless you’re freeplaying with meaning. See if this helps: http://www.alsopreview.com/gazebo/messages/134/136.html?1106442781 b) Some words are just extra. Poetry needs to be clean. Some comments in-line:
“[And so] I will not have You judge me
by light, even if it is yellow [light].
I will never fuck by tubelight or CFL bulbs.
Yes, I don’t believe in environmentalism as well.”
The words in brackets are unnecessary, IMO. Why is you capitalised? The “will”s make me uncomfortable — they are wordy. How about “I won’t fuck by tubelight or CFL bulbs./ Yes, I don’t believe in environmentalism either.”
“But it is sweet, they way you’ve”
Try “it’s” instead.
“decided to sleep in my doorway.
And now, you can’t sleep in my bed because
I am cleanian and the vacuum cleaner is my God.”
I love that last line, but I think it could be more impactful with some rearranging: “decided to sleep in my doorway. But now you can’t sleep/ in my bed because I am cleanian/ and the vacuum cleaner is my God.”
Section 3: Take out the “just”s maybe?
Section 4: What if you redid the first two sentences as questions? “Why do I spend long waking/ hours writing words that I hope will change lives?/ Who remembers my lines/ but me?” It’s pithier, less sprawling. Be careful of commas after “but”s and “now”s. They break the rhythm. I wonder if you need the “so”. The poem proceeds through its own logic. The “so” is irrelevant, really.
Section 5: What is “Pride” doing there? Is it a title or something? The other sections don’t have titles. This one I like because of this strange generational guilt we have of living in and with images rather than “reality”. And the punch of the post-script. Not so sure about the “I am ashamed” repetition. Might work as a verbal/performative confession, but reading it is cloying.
Section 6: I like how you begin with “Listen”, just like section 1, reminding the reader that this is addressed to a specific person. (This is a dramatic monologue, yes?) Is the first line saying exactly what you want it to? Following the parallel of giving up meat, I thought it should be “Listen, I have given you up”, which is not the same as “given up on you”. “I learnt to train myself…” Doesn’t “I train myself…” work as well? (I continue to worry about all the unnecessary connectors: but, so…)
I don’t remember if I told you this, but your poems are only complete with that last line, and you’ve got them all in. I enjoyed this. Not sure how useful my comments will be. I might be working with a completely different idiom here. Anyway, good luck with this.
Best,
Aditi